It began with a call inquiring whether or not I could make
it to UCLA’s Royce Hall to listen to the Monterey Jazz Festival All Stars, a
super group consisting of Kurt Elling, Russell Malone, Regina Carter, Kiyoshi
Kitagowa, Jonathan Blake and the remarkable Kenny Barron. It ended with the
reminder that there are few things better than hearing great musicians in a
live setting.
I’ve been lucky to hear some amazing live music in my life. Growing
up in LA during the 70’s, most weekends were spent at The Forum or The Troubadour (later The Roxy) listening to bands big and small, famous and almost;
Tull on Saturday, Zeppelin on Sunday, Mahavishnu this week, Mayall next (yeah,
that Mayall concert at the Whisky was truly a disaster). And all at prices that
were affordable for kids who worked part time pumping gas or shining shoes.
But I shudder when I read that the Justice Dept has okayed
the merger between Ticketmaster and LiveNation. Will concerts go the way of major
sports in this country: catering to the corporate sponsor and the elimination
of the common fan?
Ticketmaster controls over 70% of the live ticket market in
the US while Live Nation runs more than 22,000 live events, many in the 127
amphitheaters and clubs the company owns. And don’t forget the 3rd head
of this troika, Front Line Management which manages the careers of such artists
as Miley Cyrus, Kid Rock, Maroon 5, Christina Aguilera and Kings of Leon. If
this isn’t the very definition of a monopoly, I don’t know what is.
So to honor what may soon be a dying ritual; standing in a
long line, wearing a wristband that proclaims your fandom, I put together a
list of some of the more memorable shows I’ve seen. I’d love to hear about some
of your favorites.
Dizzy Gillespie at The Parisian Room in Los Angeles, circa
1978. Like so many cultural references in LA, the Parisian Room on the corner
of La Brea and Washington is long gone, replaced by a Post Office - a swinging post office mind you. Was Dizzy
great? I have no idea; this was a true jazz legend who was mere feet from
me and it was awesome!
Leon Russell at the Forum in 1972, the Master of Space and
Time and a gospel tinged, revival show complete with Marjoe Gortner and the
Shelter People. Absolutely magical.
I spent the summer of 1977 in London with the high priests
of Cheesecake and one night we caught Betty Carter at Ronnie Scott’s. Talk
about cool, Miss Betty’s idiosyncratic stylings blew my mind. One moment a
tender, melodic ballad. The next an abstract take on a standard at near
breakneck speed. Wow, it was a big world out there.
I first heard Seals & Crofts at the Troubadour in 1971
before they became famous for their justly deserved run of mid-70’s pop chart
toppers Summer Breeze, Hummingbird and Castles in the Sand. Sir Lehman and I
must have caught 4 consecutive shows. Even then they had that unique blend of
voices and Dash Crofts impeccable mandolin playing. But they most certainly
played with a harder edge. Take a listen to Ridin’ Thumb from their first
album, Down Home.
James Brown at the Country Club in Reseda for New Year’s eve
1984. I lost track of the number of
times they put the cape on the exhausted Godfather of Soul to escort him off
stage only to see him break away at the last minute to wail another chorus of
Please, Please, Please. Maceo, Hit Me!
Marcus Roberts and Ellis Marsalis at the Ravinia Festival
north of Chicago – 1992 – two pianos, the student and the teacher playing
together, a beautiful evening of jazz piano at an incredible location.
Paul McCartney at The Forum in 1990 when he first opened up
the Beatles catalog. The rush of hearing
the BOAC jet screaming at mach speeds over the riff from Back in the USSR was
unbelievable. Has anyone ever had a better set list?
10 years later the answer was maybe as Brian Wilson performed
Pet Sounds in its entirety backed by the Wondermints and the LA Phil at the
Hollywood Bowl. A cathartic moment for 14,000 fans who were thrilled that this
lovely, broken bird could take the stage at all.
In support of Sandinista in 1981, The Clash play 17 shows at
Bonds International Casino in New York. Following a furious set by Grandmaster
Flash, the crowd quiets to the strains of Ennio Morricone’s score from A Few
Dollars More only to storm the stage as the Clash rip into a crushing version
of London Calling. Has punk ever sounded so majestic?
For two years in the mid-70’s The Section had a residency at
Dante’s Supper Club in N. Hollywood. And we were there just about every night,
clinking our 7&7’s and thinking we were pretty sophisticated.
Who were The
Section you ask? If you know James Taylor and Carole King and Crosby & Nash
and Jackson Browne and Linda Ronstadt and J.D. Souther, then you know The
Section, they essentially defined the LA sound of the 70’s. Take a listen to
Smilin’ Ed from their 2nd album, Forward Motion.
What live concerts do you remember fondly? Let me know right in the box below.
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